Long Center

February 2017 / Vol. 1 Issue 3

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7 LITTLE ORCHESTRA Pink Martini parties like it's 1962 Inclusivity is the name of Pink Martini's game. Just look at the multilingual nature of their discography. Pink Martini hit it big with the French Sympathique on their first studio album in 1997, only to continue through the most recent 'Je Dis Oui!' (their ninth record) that boasts standards of the East and West in languages from Portuguese to Turkish. Or take a look at their ever-growing list of electrifying guest artists, showcasing hidden talents of influential people in the best way possible. Fashion icon Ikram Goldman sings Fairuz in Lebanese with flair. Portland's Kathleen Saadat delivers Ella Fitzgerald with a hint of social justice. NPR's Ari Shapiro is practically the thirteenth band member. "Approachable splendor" is how bandleader omas Lauderdale explains it all. e cocktail of timelessness, old-world-but- new-world glam and smooth jazz fusion that Lauderdale calls the expanded soundtrack of Breakfast at Tiffany's is a gem, but it's a far cry from his original political aspirations. Mayor of Portland was not in Lauderdale's cards, but with the vocals of friend China Forbes and the eleven other bandmates that create this amalgam of global pop, it doesn't matter. Lauderdale and Forbes' partnership in Pink Martini is the positive force we all need. e fact that they also make you feel as if you're privy to a comfortable 1960s house party in old Vienna is just the olive on the toothpick. ey're fighting divisiveness and prejudice the only way they know how— by creating universal music and bringing people together. And throwing one very lively party, of course. S E E P I N K M A R T I N I O N M A R C H 12 I N D E L L H A L L. MUSIC

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